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15 July 2015

Home > About Hunan > The Origin of Huxiang Culture

Huxiang Culture

As the Xiang River runs through the province from south to north, Hunan is called "Xiang" for short and boasts its "Xiang Cuisine", "Xiang Embroidery", "Xiang Opera", and "Xiang Army".

Huxiang Culture is a regional culture handed down from generation to generation in Hunan. From the Shang Dynasty or Yin Dynasty (1600 BC-1100 BC) to the Northern Song Dynasty (960-1127), Hunan's culture was represented by the Chu culture from the north, the Miaoman culture of the original Miao nationality, and the Yue culture from the south and west. Patriotic poet Qu Yuan's poetry and the historical relics in Mawangdui Han Tomb are featured with Chu culture.

When it came to the Southern and Northern Dynasties (420-589) and the Tang (386-581) and Song (960-1279) Dynasties, even extending to the Song, Yuan (1271-1368) and Ming Dynasty (1368-1644), remarkable changes took place along with several large migrations, concerning population distribution, customs and habits, as well as ideologies among Huxiang people. Large number of great ideologists came out then to form a new regional culture, including the founder of Neo-Confucianism Zhou Dunyi, Confucius follower Wang Fuzhi who believed that neo-Confucianism had distorted Confucius' teachings, and Wei Yuan, who attempted to combine traditional scholarly knowledge with practical experience to find workable solutions to the problems plaguing the government at the time.

Yuelu Academy (Photo source: hunan.gov.cn)

Originated from the Chu culture of the pre-Qin period, and enriched with the Yellow River plain culture in the Song and Ming Dynasty, Huxiang culture became splendid with the reputable attribution of "half of Chinese modern history was participated in by Hunanese", and "an army cannot be formed without Hunanese".

Philosophical thought

Initiated by Hu Anguo in the Song Dynasty, and developed with Hu Hong, Zhang Shi, Wang Chuanshan, Zeng Guofan, Tan Sitong, Yang Changji, and even Mao Zedong, Huxiang philosophical thought forms its distinctive features. It combined the moral-oriented philosophy of the Neo-Confucianism with humanistic pragmatism, which has been passed on from generation to generation till modern times. Hunanese played brilliant roles in the modern history of China. Despite different political views, their academic and cultural styles of being pragmatic were almost the same.

Education philosophy

Huxiang education rose in the Song Dynasty. With thousand-year development, it has formed its unique traditions: equal stress on both learning and thinking; unity of theory and practice. Huxiang education pays attention to independent thinking as well as rational criticism, which is represented by Yuelu Academy.

Huxiang Religions

Huxiang culture is inclusive to religions, with the co-existence of Buddhism and Taoism in the Nanyue Grand Temple in Hengshan Mountain being an instance.

Folk customs

Photo source: hunan.gov.cn

Photo source: hunan.gov.cn

Photo source: hunan.gov.cn

Huxiang area has been long inhabited by many ethnic groups. Different traditions and folk customs have been formed along with different evolvement, living areas, production modes, religious beliefs of the groups. These traditions and customs communicate with and influence each other, jointly forming a distinctive Huxiang folk culture.

Read more about National Customs in Hunan>>

Huxiang art

Photo source: Hunan Museum

The western Han painting on silk found in Mawangdui Tomb is considered as an origin of Chinese painting. Colored lacquer painting in the Western Han Dynasty is among the earliest oil painting in the world. Yi Yuanji, Zhang Yizun, Qi Baishi and Huang Yongyu are representatives of Huxiang masters of fine arts. 

Xiang opera is one of the major local operas in Hunan, also called "Changsha Banzi" and "Xiangtan Banzi" by folks. Due to its Zhongzhou rhyme and Changsha mandarin, it is also named Changsha Xiang Opera. Hunan's operas include Qi Opera, Chenhe Opera, Hengyang Xiang Opera, Wuling Opera, Jinhe Opera, Baling Opera, Xiang Kun, Changsha Flower Drum Opera and Shaoyang Flower Drum Opera.

Huxiang dialects

Hunan is a region with various and complex dialects, including the Xiang dialect, southwestern mandarin, Gan dialect, Hakka dialect and other local dialects. Xiang dialect (also called Xiang language) is the most representative and the most widely distributed dialect in Hunan, covering 40 cities and counties along Xiangjiang River and Zijiang River. In Hunan, about 30.85 million people speak the Xiang dialect, accounting for 3.2% of the national population.

The Xiang dialect, represented by Changsha dialect, is distributed among most areas in Hunan. From the phonetic perspective, Xiang dialect can be divided into new and old Xiang dialects. The old Xiang dialect mainly prevails in central Hunan such as Ningxiang County and Hengyang City while the new Xiang dialect is widely spoken in large and middle-sized cities such as Changsha and Zhuzhou.

Southwest mandarin, as the second major dialect in Hunan, is mainly distributed over western, northern and southern Hunan. Hakka dialect is commonly used in some areas in southeast Hunan, such as Rucheng, Guidong, Youxian, Chaling and Pingjiang counties.

According to the historical records, the ancient Chu dialect took shape in the Spring and Autumn period (770 BC – 476 BC), with the "southern Chu" dialect in the Han dynasty (202 BC - 220)  being the direct source of the Xiang dialect. Immigration is considered as the main reason for the Hunan dialect's coming into being. Before the Five Dynasties (907-960), immigrants from North China came to Hunan, whose dialect formed the ancient "Chu dialect" in Hunan and gradually evolved into the Xiang dialect, further branching out southwest mandarin and local dialect. After the Five Dynasties, immigrants were mainly from southeast China including Jiangxi, Fujian and Guangdong whose dialects developed into early the Gan dialect, the Hakka dialect and local dialects. The surrounding major dialects and mandarins have also exerted an influence on the formation and development of the mandarin in Hunan's border area. The language of the minority groups, especially in remote areas, also has played a certain role in the development of these dialects.


Distribution of Dialects in Various Regions of Hunan:

I. Dialects in Northern Hunan:

1. Changde Dialect

2. Yueyang Dialect

3. Zhangjiajie Dialect – Southwestern Mandarin, a branch of Northern Dialect Group

4. Yiyang Dialect –  New Xiang Dialect, a branch of Xiang Dialect
  
II. Dialects in Central Hunan:

1. Changsha Dialect – New Xiang Dialect, a branch of Xiang Dialect

2. Xiangtan Dialect – with features of both New Xiang and Old Xiang dialects, branches of Xiang Dialect
  
3. Zhuzhou Dialect –  New Xiang Dialect, with notable influences from Gan and Hakka dialects
  
4. Loudi Dialect – Old Xiang Dialect, a branch of Xiang Dialect

5. Hengyang Dialect – Old Xiang Dialect, strongly influenced by Gan and Southwestern Mandarin dialects

6. Shaoyang Dialect – Old Xiang Dialect, with significant influences from Southwestern Mandarin dialect

III. Dialects in Southern Hunan:

1. Yongzhou Dialect – Southwestern Mandarin, a branch of Northern Dialect Group
  
2. Chenzhou Dialect – Southwestern Mandarin, a branch of Northern Dialect Group, with significant influences from Gan and Hakka dialects

IV. Dialects in Western Hunan:

1. Jishou Dialect – Southwestern Mandarin, a branch of Northern Dialect Group
  
2. Huaihua Dialect – Southwestern Mandarin, a branch of Northern Dialect Group, with significant influences from Xiang Dialect

Appendix: Guiding Principles for Dialect Communication in Hunan
  
1. In the Southwestern Mandarin-speaking areas, spanning from Changde in the north to the urban area of Chenzhou in the south, people can generally communicate with each other, as their dialects are relatively close to modern standard Mandarin.

2. In New Xiang Dialect-speaking areas, from Yiyang in the north to Xiangtan in the south, the dialects are also largely mutually intelligible. New Xiang Dialect, deeply influenced by Southwestern Mandarin, is closer to standard Mandarin than Old Xiang or Gan dialects.

3. Old Xiang Dialect is particularly hard to understand, retaining many archaic features and varying greatly even over short distances. The Loudi-Shaoyang sub-dialects, in particular, differ considerably from standard Mandarin.

4. Gan, Hakka, and local dialects vary remarkably over short distances, with obvious archaic linguistic features. From Yueyang's Linxiang in the north to Chenzhou's Zixing in the south, people can hardly communicate despite their shared dialect group.

5. In mountainous areas, dialects necessarily vary greatly over short distances; in plains or lake regions, dialects are essentially consistent.

Chinese source: hunan.gov.cn